Now that we’ve covered both of the foreign Ultraman co-productions, you’d think this series would be over…but not so. There was one other western production co-created with Tsuburaya, and it was made a few years before Towards the Future: 1987’s Ultraman: The Adventure Begins (AKA Ultraman USA), an apparent attempt to create an animated spin-off of the franchise aimed at American audiences, co-produced with…Hanna-Barbera? Uh oh, I smell another cheap article series crossover—The Brother From Another Language vs. Cheaptoons, they might call it.
Now, as someone who enjoys both kaiju and animation, you’d think I’d be really into the idea of animated kaiju project—after all, you can do pretty much anything in that medium, and because of that it actually sidesteps many of the common pitfalls and criticisms of the live action monster movie. The thing is, though, the fact that animation can do giant monsters so easily kind of…lessens their impact, in a way. Part of the fun of the genre is the physicality of it, the texture of the monster costumes giving them life and the visceral crunchiness of the miniatures sets lendinf every monstrous action real weight. That weight is something very difficult to emulate in the elastic and ephemeral world of animation, and because of that giant monsters have a tendency to be flattened, becoming more or less indistinguishable from any other fantastical thing. To boot, it really feels that much more impressive to see these creatures and sets be built, physically, by hand, and be real things that you could go and look at. This is all my own personal tastes and biases, it must be said—but it does mean that, for example, I don’t have a lot of interest in watching the Godzilla anime film that was recently released on Netflix, because it’s just not the same.
Despite that, I am willing to give The Adventure Begins a chance, at least in the name of science and completion and curiosity, to find out what an animated Ultraman co-produced by Hanna-goddamned-Barbera looks like.